{"product_id":"how-to-make-authentic-samurai-fight-performances-dvd-by-masahiro-wakisaka","title":"How to Make Authentic Samurai Fight Performances DVD by Masahiro Wakisaka","description":"\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\" data-end=\"176\" data-start=\"133\"\u003eThe Functional Beauty of the Body and Sword\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"215\" data-start=\"178\"\u003eHow to Become a Captivating Swordsman\u003c\/p\u003e\n\u003cp data-end=\"358\" data-start=\"217\"\u003eStage sword fighting (tate) resembles martial arts,\u003cbr data-end=\"271\" data-start=\"268\"\u003ebut it is not martial arts.\u003cbr data-end=\"301\" data-start=\"298\"\u003eIt is a performance created together with another person.\u003c\/p\u003e\n\u003cp data-end=\"519\" data-start=\"360\"\u003eHowever, just as in martial arts,\u003cbr data-end=\"396\" data-start=\"393\"\u003eunderstanding yourself, your opponent,\u003cbr data-end=\"437\" data-start=\"434\"\u003eand the weapon known as the sword\u003cbr data-end=\"473\" data-start=\"470\"\u003eis an essential theme of stage sword fighting.\u003c\/p\u003e\n\u003cp data-end=\"675\" data-start=\"521\"\u003eIn this program,\u003cbr data-end=\"540\" data-start=\"537\"\u003ethe key points of sword speed and power\u003cbr data-end=\"582\" data-start=\"579\"\u003eas functional beauty in stage sword fighting\u003cbr data-end=\"629\" data-start=\"626\"\u003eare explained in an easy-to-understand manner.\u003c\/p\u003e\n\u003cp data-end=\"729\" data-start=\"677\"\u003e(Masahiro Wakisaka, Stage Sword Fighting Instructor)\u003c\/p\u003e\n\u003cp data-end=\"740\" data-start=\"732\"\u003eCONTENTS\u003c\/p\u003e\n\u003cp data-end=\"758\" data-start=\"743\"\u003eBASIC KNOWLEDGE\u003c\/p\u003e\n\u003cp data-end=\"792\" data-start=\"760\"\u003e[Etiquette and Formal Movements]\u003c\/p\u003e\n\u003cp data-end=\"817\" data-start=\"794\"\u003e[How to Draw the Sword]\u003c\/p\u003e\n\u003cp data-end=\"839\" data-start=\"819\"\u003e[Five Basic Stances]\u003c\/p\u003e\n\u003cp data-end=\"870\" data-start=\"841\"\u003e[Training: Lowering the Hips]\u003c\/p\u003e\n\u003cp data-end=\"913\" data-start=\"872\"\u003e[Blood Shaking and Resheathing the Sword]\u003c\/p\u003e\n\u003cp data-end=\"963\" data-start=\"915\"\u003e[Training: Body Movement Prioritizing the Sword]\u003c\/p\u003e\n\u003cp data-end=\"984\" data-start=\"966\"\u003eCUTTING TECHNIQUES\u003c\/p\u003e\n\u003cp data-end=\"1029\" data-start=\"986\"\u003e[Cutting Positions and Thrusting Positions]\u003c\/p\u003e\n\u003cp data-end=\"1073\" data-start=\"1031\"\u003e[Training: Shoulder Blade Suburi Practice]\u003c\/p\u003e\n\u003cp data-end=\"1111\" data-start=\"1075\"\u003e[Learning the Neutral Body Position]\u003c\/p\u003e\n\u003cp data-end=\"1128\" data-start=\"1113\"\u003e[Beginning Cut]\u003c\/p\u003e\n\u003cp data-end=\"1182\" data-start=\"1130\"\u003e[Training: Switching Between Front and Side Stances]\u003c\/p\u003e\n\u003cp data-end=\"1202\" data-start=\"1184\"\u003e[Intermediate Cut]\u003c\/p\u003e\n\u003cp data-end=\"1218\" data-start=\"1204\"\u003e[Advanced Cut]\u003c\/p\u003e\n\u003cp data-end=\"1254\" data-start=\"1220\"\u003e[Training: Internal Body Movement]\u003c\/p\u003e\n\u003cp data-end=\"1286\" data-start=\"1257\"\u003eRECEIVING AND EVADING ATTACKS\u003c\/p\u003e\n\u003cp data-end=\"1310\" data-start=\"1288\"\u003e[Movement of the Axis]\u003c\/p\u003e\n\u003cp data-end=\"1332\" data-start=\"1312\"\u003e[Rotational Evasion]\u003c\/p\u003e\n\u003cp data-end=\"1365\" data-start=\"1334\"\u003e[Timing of Receiving an Attack]\u003c\/p\u003e\n\u003cp data-end=\"1377\" data-start=\"1367\"\u003e[Parrying]\u003c\/p\u003e\n\u003cp data-end=\"1408\" data-start=\"1379\"\u003e[Sliding Up and Sliding Away]\u003c\/p\u003e\n\u003cp data-end=\"1439\" data-start=\"1410\"\u003e[Unity of Attack and Defense]\u003c\/p\u003e\n\u003cp data-end=\"1467\" data-start=\"1442\"\u003eUSING DISTANCE AND TIMING\u003c\/p\u003e\n\u003cp data-end=\"1495\" data-start=\"1469\"\u003e[Footwork (Sliding Steps)]\u003c\/p\u003e\n\u003cp data-end=\"1531\" data-start=\"1497\"\u003e[Training: Towel Contact Practice]\u003c\/p\u003e\n\u003cp data-end=\"1566\" data-start=\"1533\"\u003e[Receiving and Expressing Energy]\u003c\/p\u003e\n\u003cp data-end=\"1611\" data-start=\"1568\"\u003e[Kote Gaeshi (Including Blade Tip Control)]\u003c\/p\u003e\n\u003cp data-end=\"1659\" data-start=\"1613\"\u003e[Three Shaku Distance (Proper Fighting Range)]\u003c\/p\u003e\n\u003cp data-end=\"1698\" data-start=\"1662\"\u003eHOW TO CREATE STAGE COMBAT SEQUENCES\u003c\/p\u003e\n\u003cp data-end=\"1739\" data-start=\"1700\"\u003e[Example: One Versus Many Stage Combat]\u003c\/p\u003e\n\u003cp data-end=\"1768\" data-start=\"1741\"\u003e[Various Ways of Being Cut]\u003c\/p\u003e\n\u003cp data-end=\"1805\" data-start=\"1770\"\u003e[Stopping Cuts and Deflecting Cuts]\u003c\/p\u003e\n\u003cp data-end=\"1830\" data-start=\"1807\"\u003e[The Concept of Layers]\u003c\/p\u003e\n\u003cp data-end=\"1865\" data-start=\"1832\"\u003e[Awareness of Shoulder Alignment]\u003c\/p\u003e\n\u003cp data-end=\"1896\" data-start=\"1867\"\u003e[Different Uses of the Hands]\u003c\/p\u003e\n\u003cp data-end=\"1934\" data-start=\"1898\"\u003e[Different Uses of the Cutting Line]\u003c\/p\u003e\n\u003cp data-end=\"1981\" data-start=\"1937\"\u003e\u003cstrong\u003eAbout the Instructor:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2041\" data-start=\"1983\"\u003eWriter, scriptwriter, and stage sword fighting instructor.\u003c\/p\u003e\n\u003cp data-end=\"2315\" data-start=\"2043\"\u003eWakisaka has researched and trained in stage sword fighting as part of his creative work and teaches at entertainment training schools and agencies such as Toho. He also runs \"The Yoga and Stage Sword Fighting Group for Core Training,\" where he teaches the general public.\u003c\/p\u003e\n\u003cp data-end=\"2454\" data-start=\"2317\"\u003eHe has close relationships with leading stage sword fighting masters, including Kiyoshi Ima from the former Shinkokugeki theater company.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Japanese\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRun time:\u003c\/strong\u003e 46 min.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003etat1d\u003c\/div\u003e","brand":"BAB","offers":[{"title":"Default Title","offer_id":46747535868103,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/files\/HowtoMakeAuthenticSamuraiFightPerformancesDVDbyMasahiroWakisaka.jpg?v=1783637608","url":"https:\/\/budovideos.com\/ja\/products\/how-to-make-authentic-samurai-fight-performances-dvd-by-masahiro-wakisaka","provider":"Budovideos Inc","version":"1.0","type":"link"}