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American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cstrong\u003eMike Perez\u003c\/strong\u003e\u003cspan\u003e - USA (2nd North American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cstrong\u003eClaudio Calasans\u003c\/strong\u003e\u003cspan\u003e - Brazil (1st South American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. \u003c\/span\u003e\u003cstrong\u003eKeenan Cornelius\u003c\/strong\u003e\u003cspan\u003e - USA (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cstrong\u003eRustam Chsiev\u003c\/strong\u003e\u003cspan\u003e - Russia (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. \u003c\/span\u003e\u003cstrong\u003ePablo Popovich\u003c\/strong\u003e\u003cspan\u003e - USA (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. \u003c\/span\u003e\u003cstrong\u003eRafael Lovato Jr.\u003c\/strong\u003e\u003cspan\u003e - USA (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. \u003c\/span\u003e\u003cstrong\u003eEzra Lenon\u003c\/strong\u003e\u003cspan\u003e - USA (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. \u003c\/span\u003e\u003cstrong\u003eNeiman Gracie\u003c\/strong\u003e\u003cspan\u003e - Brazil (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15. \u003c\/span\u003e\u003cstrong\u003eYuri Simoes\u003c\/strong\u003e\u003cspan\u003e - Brazil (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16. \u003c\/span\u003e\u003cstrong\u003eRicardo Ramos De Mesquita\u003c\/strong\u003e\u003cspan\u003e - Brazil (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMale Under 99 kg\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cstrong\u003eJoao Assis\u003c\/strong\u003e\u003cspan\u003e - Brazil (ADCC 2013 Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cstrong\u003eTomasz 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Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cstrong\u003eRoberto Alencar\u003c\/strong\u003e\u003cspan\u003e - Brazil (1st South American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. \u003c\/span\u003e\u003cstrong\u003eCassio Francis Da Silva\u003c\/strong\u003e\u003cspan\u003e - Brazil (2nd South American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cstrong\u003eAlexandre Ribeiro\u003c\/strong\u003e\u003cspan\u003e - Brazil (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. \u003c\/span\u003e\u003cstrong\u003eHector Lombard\u003c\/strong\u003e\u003cspan\u003e - USA (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. \u003c\/span\u003e\u003cstrong\u003eFelipe Pena\u003c\/strong\u003e\u003cspan\u003e - Brazil (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. \u003c\/span\u003e\u003cstrong\u003eRodolfo Vieira\u003c\/strong\u003e\u003cspan\u003e - Brazil (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. \u003c\/span\u003e\u003cstrong\u003eJimmy Friedrich\u003c\/strong\u003e\u003cspan\u003e - USA (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15. \u003c\/span\u003e\u003cstrong\u003eAdam Sachnoff\u003c\/strong\u003e\u003cspan\u003e - USA (Invited)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16. \u003c\/span\u003e\u003cstrong\u003eLukasz Michalec\u003c\/strong\u003e\u003cspan\u003e - Poland (Invited)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eMale Over 99 kg\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cstrong\u003eJanne-Pekka Pietiläinen\u003c\/strong\u003e\u003cspan\u003e - Finland (2nd European Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cstrong\u003eLee Hyoung Chul\u003c\/strong\u003e\u003cspan\u003e - Korea (1st Asia \u0026amp; Oceania Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cstrong\u003eHideki Sekine\u003c\/strong\u003e\u003cspan\u003e - Japan (2nd Asia \u0026amp; Oceania Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cstrong\u003eJason Lees\u003c\/strong\u003e\u003cspan\u003e - USA (1st North American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cstrong\u003ePaul Ardila \u003c\/strong\u003e\u003cspan\u003e- USA (2nd North American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cstrong\u003e Leonardo Nascimento Lucio\u003c\/strong\u003e\u003cspan\u003e - Brazil (1st South American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cstrong\u003eGabriel Lyrio Lucas\u003c\/strong\u003e\u003cspan\u003e - Brazil (2nd South American Trials Winner)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. 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1”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li2\"\u003eStanding entry into the beginning of the 80\/20 Leg Surfing System\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eTop Guard entry into the beginning of the 80\/20 Leg Surfing System\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eStraight Ankle Lock\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eTripod belly down ankle lock when opponent defends the regular straight ankle by\u003cbr\u003e rolling.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e2 leg on outside heel hook when opponent defends straight ankle by pushing\u003cbr\u003e foot off of hip\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to deal with the “Boot” when finishing heel hook.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to finish someone who has a weak boot\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to finish someone who has a strong boot\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to transition from outside lace 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2”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li2\"\u003e80\/20 position and philosophy and why it’s better than the 50\/50\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e80\/20 rolling entry and how to get to it while opponent is trying to pass.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e80\/20 Hayden toe hold that puts then in danger while keeping you perfectly safe from their counter attacks.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e80\/20 reverse heel hook which when applied with the correct pressure will tap out anyone while staying perfectly safe from their attacks.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e80\/20 Toe hold bait is way to trick great grapplers into making a mistake and then capitalizing on it.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e80\/20 stand up offense is a way to deal with an opponent who tries to stand to their feet in the 50\/50 and make it even worse for them.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e80\/20 escape route is the way you can escape anyones 50\/50 at any time if you so choose to or if things aren’t working out for you there.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eDVD 3: “Defense And Counters To The Most Common Leg Locks”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li2\"\u003eHow to properly use “The Boot” to keep you ankles and knees safe until you counter attack or escape.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to escape the “Hayden” Ankle lock\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to counter the “Hayden” Ankle lock with a tight leg lock of your own\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to Escape the Single leg X ankle lock position\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to Counter the Single leg X ankle lock position with your own ankle breaking hack\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eCounter to X-guard transition with a quick easy leg lock of your own\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to escape the most common heel hooks, the easy way\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to escape the “Done Deal” inside lace heel hook position\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eHow to escape the honey hole\/ knee knot position and all of its submissions.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eBONUS: slick half guard entry to the 80\/20 Leg surfing system\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eReview of the entire system in action\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"element-container cf\" data-style=\"\" id=\"le_body_row_1_col_1_el_13\"\u003e\n\u003cdiv class=\"element\"\u003e\n\u003cdiv id=\"op_img_text_aside_op_assets_core_img_text_aside_8089fa3b57fdab27e2a47c7a3ecce31c\" class=\"image-text-style-2\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Matt Arroyo","offers":[{"title":"Default Title","offer_id":10832587331,"sku":"BV-DVD-00283","price":97.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/products\/legsurfingsystem.png?v=1613034302"},{"product_id":"okinawan-karate-7-dvd-set-with-patrick-mccarthy","title":"Okinawan Karate 7 DVD Set with Patrick McCarthy","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn this 7 DVD presentation McCarthy Hanshi will show you many of the technical aspects of karate mixed with his unique ability to lecture, demonstrate and share some of the most valuable information ever recorded on Okinawan karate.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith over 50 years of research, training, travelling, and practice McCarthy Hanshi is finally prepared to share this invaluable information with the masses of karate-ka who are in search for this information as 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Master Felix’s dream is to bring the Filipino Martial Arts unto higher levels of recognition around the globe. This native fighting Art covers all ranges: long range, medium range, and close quarter combat to layog o bugno with the use of single\/double stick, baraw, kampilan, and other impact weapons that has existed long before the arrival of the Spaniards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003ePakamut has been used by our Filipino heroes in their struggle to make our country free from foreign domination. It has been noted that Andres Bonefacio, when rallying his troops, said go home brothers and sharpen your sticks. Master Felix’s method of teaching is very simple and easy to learn. 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Seventh-degree instructor of Taiqi Shisei Kenpo. Director of the Taiqi Kenpo Ishinjuku. During his tenure as captain of the Hosei University Okinawa Goju-ryu Karate Club, he traveled alone to the Netherlands, then considered the strongest in the world of karate, and fought throughout Europe as a member of the Dutch National Team. Through Jan Karenbach, who was recognized by Mas Oyama, the late director of Kyokushin Kai, as \"the strongest foreigner in Kyokushin,\" he learned of Kenshi Sawai, the founder of Taiqi Kenpo. Upon returning to Japan, he visited Sawai in the forest of the shrine and became his disciple. After experiencing numerous matches with other schools, in February 1983, he became the top student of the second golden age of Taiqi Kenpo. For ten years of practice in that shrine, whenever Sawai moved, he always played his role as a partner, directly observing and learning his movements in front of him and feeling them. Furthermore, after Sawai passed away.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Japanese\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRun time:\u003c\/strong\u003e 84 min.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSPD-6525\u003c\/span\u003e\u003c\/p\u003e","brand":"Quest","offers":[{"title":"Default Title","offer_id":15299954243,"sku":"BN-DVD-00325","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/products\/ScreenShot2020-12-16at7.53.22PM.png?v=1613034411"},{"product_id":"ono-ha-itto-ryu-kenjutsu-dvd-with-17th-gen-soke-takeo-sasamori","title":"Ono Ha Itto Ryu Kenjutsu DVD with 17th Gen Soke Takemi Sasamori","description":"\u003cp\u003eExperience the essence of the Ono-ha Itto-ryu, a form of swordsmanship that is both the pinnacle of kenjutsu and the origin of modern kendo. 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Its core principle, \"Ittō Soku Mantō\" (One Sword is All Swords), is epitomized by the technique \"Kiriotoshi.\"\u003c\/p\u003e\n\u003cp\u003eToday’s Ono-ha Itto-ryu has been meticulously researched and reestablished by the 16th Soke, Junzo Sasamori, and is now passed down to the 17th Soke, Takemi Sasamori.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eOpening\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLong Sword: Techniques and Explanations\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFirst Form (Hitotsu Kachi)\u003c\/li\u003e\n\u003cli\u003eSecond Form (Mukaetsuki, Noritsuki)\u003c\/li\u003e\n\u003cli\u003eThird Form (Taguriwaza)\u003c\/li\u003e\n\u003cli\u003eFourth Form (Kasumi)\u003c\/li\u003e\n\u003cli\u003eFifth Form (Waki-gamae)\u003c\/li\u003e\n\u003cli\u003eFutatsu Kachi\u003c\/li\u003e\n\u003cli\u003eKage-tō\u003c\/li\u003e\n\u003cli\u003eGedan no Uchiotoshi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterview Topics:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIto Ittosai and His Era\u003c\/li\u003e\n\u003cli\u003eHis Two Disciples\u003c\/li\u003e\n\u003cli\u003eRole as Instructor to the Shogunate\u003c\/li\u003e\n\u003cli\u003eHokuto Shichisei and the God of War’s Footwork\u003c\/li\u003e\n\u003cli\u003eSword Grip in Itto-ryu\u003c\/li\u003e\n\u003cli\u003eJunzo Sasamori Sensei\u003c\/li\u003e\n\u003cli\u003eInherited Teachings from His Father\u003c\/li\u003e\n\u003cli\u003eChristianity and Itto-ryu Training\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-level Secrets: Techniques and Explanations\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMyōken (Ki no Kurai)\u003c\/li\u003e\n\u003cli\u003eZetsumyōken (Hi no Kurai)\u003c\/li\u003e\n\u003cli\u003eShinken (Chi no Kurai)\u003c\/li\u003e\n\u003cli\u003eKinshichōōken (Kin no Kurai)\u003c\/li\u003e\n\u003cli\u003eDokumyōken (Mizu no Kurai)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShort Sword: Techniques and Explanations\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFutatsu Kachi\u003c\/li\u003e\n\u003cli\u003eGedan no Tsuke\u003c\/li\u003e\n\u003cli\u003eHatsu\u003c\/li\u003e\n\u003cli\u003eSayū no Harai\u003c\/li\u003e\n\u003cli\u003eNorimi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHakiri-ai: Techniques and Explanations\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSayūten\u003c\/li\u003e\n\u003cli\u003eSurikomizume\u003c\/li\u003e\n\u003cli\u003eKotezume\u003c\/li\u003e\n\u003cli\u003eMittsunaka\u003c\/li\u003e\n\u003cli\u003eHachizume\u003c\/li\u003e\n\u003cli\u003eKirikaeshi\u003c\/li\u003e\n\u003cli\u003eNakari Hōshū\u003c\/li\u003e\n\u003cli\u003eSayū Kiri\u003c\/li\u003e\n\u003cli\u003eMakikiri\u003c\/li\u003e\n\u003cli\u003eSuriage Kiri\u003c\/li\u003e\n\u003cli\u003eMinoiri\u003c\/li\u003e\n\u003cli\u003eNorizume\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterview Topics:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eItto-ryu Traditions\u003c\/li\u003e\n\u003cli\u003eMaster-Disciple Relationships\u003c\/li\u003e\n\u003cli\u003eTeachings of Junzo Sasamori\u003c\/li\u003e\n\u003cli\u003eEssence of Itto-ryu\u003c\/li\u003e\n\u003cli\u003eFrom the Era of Ittosai to Today\u003c\/li\u003e\n\u003cli\u003eItto-ryu’s Influence on Modern Kendo\u003c\/li\u003e\n\u003cli\u003eTraining in the Modern World\u003c\/li\u003e\n\u003cli\u003eTraining and Faith\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecret Techniques of Haritsuke: Techniques and Explanations\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eWaki-gamae no Suriage\u003c\/li\u003e\n\u003cli\u003eRyūbigaeshi\u003c\/li\u003e\n\u003cli\u003eChisei\u003c\/li\u003e\n\u003cli\u003eGyakuchisei\u003c\/li\u003e\n\u003cli\u003eIchimonji\u003c\/li\u003e\n\u003cli\u003eYotsukiri\u003c\/li\u003e\n\u003cli\u003eHassō\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStanding Iaijutsu: Techniques and Explanations\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eYūhi\u003c\/li\u003e\n\u003cli\u003eDenkō\u003c\/li\u003e\n\u003cli\u003eRyūsei\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSword Drawing Techniques\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterview Topics:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDirect Transmission of Itto-ryu\u003c\/li\u003e\n\u003cli\u003eInheritance of One-on-One Instruction\u003c\/li\u003e\n\u003cli\u003eCommon Points with Other Ancient Styles\u003c\/li\u003e\n\u003cli\u003eSwordsmanship in Modern Times\u003c\/li\u003e\n\u003cli\u003eWhat is Haritsuke?\u003c\/li\u003e\n\u003cli\u003eMessage to Itto-ryu Practitioners\u003c\/li\u003e\n\u003cli\u003eTraining in Itto-ryu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEnding\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Ono-ha Itto-ryu Kenjutsu:\u003c\/strong\u003e Founded by Ito Ittosai Kagehisa in the Muromachi period and thriving during the Edo period as the chosen style of the Tokugawa shogunate, Ono-ha Itto-ryu became a major influence in kenjutsu. With numerous branches stemming from Itto-ryu, the orthodox lineage is known as Ono-ha Itto-ryu. The philosophy of \"Ittō Soku Mantō\" (One Sword is All Swords) is highlighted by the distinctive technique \"Kiriotoshi.\" This style is the ultimate form of swordsmanship and the origin of modern kendo. The 16th Soke, Junzo Sasamori, meticulously researched and reestablished all techniques, theories, and traditions, now passed down to the 17th Soke, Takemi Sasamori.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatured Performer:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTakemi Sasamori\u003c\/strong\u003e\u003cbr\u003eMinister, 17th Soke of Ono-ha Itto-ryu. Born in Aomori Prefecture in 1933 as the third son of the 16th Soke Junzo Sasamori. He also inherits the Daichuto Jigen-ryu and the Iaijutsu of the Kanno Muso Rinzaki-ryu. Graduate of Waseda University's Department of Philosophy and Duke University’s Graduate School of Theology. He operates a unique practice where his church and dojo are integrated at Komaba Eden Church. His works include \"Bushido and Christianity\" and \"The Path to God, The Path from God,\" as well as the DVD \"Return to Eden.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/EimvpdUveqU\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Japanese with English subtitles\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e 122 min.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"SPD-7521\"}' data-sheets-userformat='{\"2\":14464,\"10\":2,\"14\":[null,2,0],\"15\":\"Calibri\",\"16\":12}'\u003eSPD-7521\u003c\/span\u003e\u003c\/p\u003e","brand":"Quest","offers":[{"title":"Default Title","offer_id":16050794499,"sku":"01163","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/products\/ScreenShot2020-12-16at2.35.37PM.png?v=1613034414"},{"product_id":"advanced-wing-chun-3-dvd-set-with-samuel-kwok","title":"Advanced Wing Chun 3 DVD Set with Samuel Kwok","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGrandmaster Samuel Kwok has been studying Wing Chun since 1967. After moving to the UK in 1972, he studied under Lee Sing. After returning to Hong Kong, Kwok began intensive private study with Grandmaster Ip Chun. He was awarded Master Status in 1981 and represented Ip Chun for many years. Grandmaster Kwok was the first to bring Ip Chun and Ip Ching from Hong Kong, and introduce their teaching to the U.K. Europe, Germany, Australia, Denmark, and the U.S. In 1994, Grandmaster Kwok returned to study with Grandmaster Ip Ching. He is the senior representative of the Ip Man \/ Ip Chun \/ Ip Ching lineage in the U.K. and U.S., with certified instructors around the world. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIncluded: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Advanced Siu Lim Tao - (Little Idea) Form and Application.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. 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As early as 1977, Annesi received the title of Ichiban Deshi no Soke (#1 student of the stylistic leader) in aiki-ju-jutsu from Albert C. Church, Jr. In 1984, the Goshin-kai International, a French federation, and the International Brotherhood of Martial Artists, a German-based organization, both decorated Annesi for his dedication to the martial arts. In the same year, Annesi was appointed soke-dai (inheritor designate) of the Kamishin-ryu martial arts, a position he resigned in 1988 due to a conflict in leadership styles. In 1989, he founded BUSHIDO-KAI KENKYUKAI, a federation for the development of innovative traditional martial arts and shortly thereafter founded BUSHIDO-KAI BUDOYA to help broaden the martial education of practitioners worldwide.\u003c\/span\u003e","brand":"EM3 Videos","offers":[{"title":"Default Title","offer_id":17716006531,"sku":"BN-DVD-00346","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/products\/Annesi-FR-web.jpg?v=1613034555"},{"product_id":"krav-maga-red-vol-2-concept-pedagogy","title":"Krav Maga RED DVD 2 Concept \u0026 Pedagogy with Christian Wilmouth","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe are pleased to present the second work of the KMRED group. This video bearing the name \"Concept and Education\" aims to make you discover a part of the concept Krav Maga Research, Evolution and Development, as well as the pedagogy developed within our group. The different exercises that you will discover here are not intended to \"feast your eyes\" or demonstrate our combative attitudes, because our priority here is that of explaining how we prepare our students so that they become \"warriors\", capable of \"adapting\" to the different evolutions of street fighting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e - Languages included in DVD: English, Español, Italiano, Français\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/AhqNj43km9c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Budo International","offers":[{"title":"Default Title","offer_id":19516000131,"sku":"BN-DVD-00349","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/products\/ScreenShot2020-12-19at2.11.58PM.png?v=1613034713"},{"product_id":"chi-sao-wing-tsun-taows-academy-dvd-with-salvador-sanchez","title":"Chi Sao Wing Tsun TAOWS Academy DVD with Salvador Sanchez","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWhat happens when two people practice Chi-Sao, what is the meaning of their practice and what the objectives? 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Larry Tatum (10th Dan) develops techniques of the Kenpo program at the highest level. Particularly, some of his “favorites” like Flashing Mace, Parting Wings, Entwined Lance… Masterfully executed and based on the experience of the movement, G.M. Tatum incorporates his innovative teachings in these techniques that will help you add and complement your training in the Kenpo system. Besides, they provide the individual with the best choice for self-defense, based on the logical and practical thinking, and place him in the path of understanding the art of Kenpo. These are the self-defense and fighting systems of the modern times we live in. They are designed so that the practitioner gets all the benefits that training these techniques can provide. This DVD has the support of Master Adolfo Luelmo (9th Dan), who goes on with a series of techniques performed in a smooth and strong way, for situations of extreme aggression, in which can be appreciated different states of the movement, in a logical and effective way. As a conclusion, Master Asís Camacho (8th Dan), displays a technique that combines the strength of the arms and his expertise with legs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLength: 34 min.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e - Languages included in DVD: English, Español, Italiano, Français\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/0mhpTeGdl0Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Budo International","offers":[{"title":"Default Title","offer_id":19516202307,"sku":"BN-DVD-00357","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/products\/ScreenShot2020-12-19at2.04.10PM.png?v=1613034714"},{"product_id":"pukulan-pencak-silat-serak-empty-hands-dvd-with-horacio-rodriguez","title":"Pukulan Pencak Silat Serak Empty Hands DVD with Horacio Rodriguez","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePukulan Pencak Silat Serak is a very brutal and devastating Art. The Arts concept its to dominate and take over battleground and space, fast dominating space and engulfing opponents to prevent them from being able to use their weapons or body. Once space is acquired, the base and angle are taken to control opponents rotation or projection, rooting or uprooting is produced from the smallest expression of touch or angle and base position, this we call “Lengket” or sticky. Keeping very close to opponents when striking or using a weapon and putting opponents on “Slywa” or weightless stage of spinal and muscle misalignment. Once rooting takes place, the strike makes massive contact in the body that has no muscle or skeletal protection. “Sambuts” are finishes meaning something very hard to walk away from especially when compression of neck or spine, so finishing means its a done deal. The opposite of that is a “Buang” that stands for throws less devastating in the beginner levels but taught to learn mechanics that in later phases of development of the student or practioner can be modified to “Sambuts” for devastating throws. Compressing skeletal structure, weapons and body structures or striking, grapping defense and offence are all played and studied in our platforms. In this video there's a beginner “Pantjar” platform, also the “Jurus”, which are the playbooks of the system of Pukulan Pencak Silat Serak, are played here. This platform teaches where to be in position to attacker, the platform is 3 dimensional and teaches where opponents body's alignments are the weakest to point of contact the platform. It also teaches how to deal with multiple opponents and space needed, base angle and levers are all play here. 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The author is one of today’s top self-defense exponents worldwide and has to his credit an extensive experience both in the military field and in security companies; awarded several times in various countries and acclaimed by his courses and seminars around the world, he has become an international spokesperson for different combat and self-defense systems, little known but highly effective. He has learned and studied all over the world, from Japan to the US, via Poland, Spain, Cape Verde, Germany, Israel, France and Russia, a continued research in remote areas of the world, such as Siberia or the desert of Texas, without stopping at any point in his tireless search for new knowledge without ever stop asking questions. The Israeli Krav Maga Survival System is not a discipline or a set of rigid rules, but a method, a process of continuous and constant evolution. 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Kesa)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eX Overhead Pass (Overcoming Reverse Kesa) Hip Bump\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eX Overhead Pass (Overcoming Reverse Kesa) Taking the Back\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eX Overhead Pass (Bailout)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTurn Away Series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTurn Away to Guard Recovery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTurn Away Series (Addressing the Leg Side Arm)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTurn Away to The Deep Half Guard\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOvercoming a Tight Seatbelt (The Windmill)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWindmill to The Half Guard\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHalf Guard Recovery to Leg Side Turn Away Series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShin in Biceps Series to The Get Up\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShin in Biceps Series to Guard Recovery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShin in Biceps Series to Sling Shot Sweep\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShin in Biceps Series to Reverse Triangle Series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShin in Biceps Series to Kimura and Wrist Lock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShin in Biceps Series to The Rolling Base Out Series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEscaping Kesa: 3 Point Bridge\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEscaping Kesa: 3 Point Bridge to Back Take\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEscaping Kesa: Bridge to Hip Shovel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEscaping Kesa: Straight and Bent Arm Locks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEscaping Kesa: Posture Defense to the Back\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEscaping Modified Kesa: Walk Away to The Sit Up\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEscaping Modified Kesa: Walk Away to Elbow Push\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommon Problems: Recovering Lost Frames\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommon Problems: Dealing with Passes Focused on Hip Control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommon Problems: Dealing with Head and Shoulder Focused Passes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommon Problems: Countering the Knee on Belly Transition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommon Problems: Troubleshooting Guard Recovery Issues I\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommon Problems: Troubleshooting Guard Recovery Issues II\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConclusion\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLength: 2 hours and 38 minutes.\u003c\/p\u003e","brand":"BJJ Basics","offers":[{"title":"Default Title","offer_id":13503433375806,"sku":"00849","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/products\/image_292087a1-8161-4bd6-b7ec-3216f961e274.jpg?v=1613035614"},{"product_id":"shinkage-ryu-2-dvd-box-set","title":"Shinkage Ryu 2 DVD Box Set","description":"\u003cp\u003e\u003cstrong\u003eVideo Instructional Guide for Learning Shinkage-ryu Heiho\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShinkage-ryu, founded by the sword saint Kamiizumi Ise-no-Kami Nobutsuna during the Sengoku period, is considered a representative school of Japanese martial arts that significantly influenced many subsequent styles. This instructional series is designed to teach and properly master the fundamental techniques of Shinkage-ryu. It is packaged as a set of two volumes for value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction:\u003c\/strong\u003e Kamiizumi Ise-no-Kami Nobutsuna, who also studied Nen-ryu, Katori Shinto-ryu, and Yagyu Shinkage-ryu, particularly extracted the principles of \"marobashi\" from Shinkage-ryu, establishing the foundation of Shinkage-ryu. His successor, Yagyu Sekishusai Muneyoshi, passed on the tradition to his son Yagyu Tajima-no-Kami Munenori, who became the martial arts instructor for the Tokugawa shogunate family, thereby enhancing Shinkage-ryu's reputation as the martial arts of the Tokugawa clan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhilosophy and Techniques:\u003c\/strong\u003e The sword of Shinkage-ryu emphasizes the unity of offense and defense through \"mukei\" (無形), where stance is abandoned in favor of integrated techniques. It employs the concept of the \"katsunin-to\" (life-giving sword), using opponent's movements to gain victory, reflecting the skill of \"winning without moving.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModern Legacy:\u003c\/strong\u003e Established in 1969 by Watanabe Tadashige, inheritor of the 22nd generation of Shinkage-ryu Heiho, the Shinkage-ryu Heiho Tenshukai actively promotes the embodiment of \"marobashi\" principles and the propagation of Shinkage-ryu's grand traditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVolume 1:\u003c\/strong\u003e \u003cstrong\u003eEtiquette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSitting Bow (Zarei)\u003c\/li\u003e\n\u003cli\u003eStanding Bow (Ritsurei)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNaiden (Inner Transmission)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSangaku En-no-Tachi (Advanced Techniques)\n\u003cul\u003e\n\u003cli\u003eFirst: Ichito Ryodan\u003c\/li\u003e\n\u003cli\u003eSecond: Zancho Setsu Tettsu\u003c\/li\u003e\n\u003cli\u003eThird: Hankai Hanmuku\u003c\/li\u003e\n\u003cli\u003eFourth: Usen Sasen\u003c\/li\u003e\n\u003cli\u003eFifth: Chodan Ichimi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eKuga-no-Tachi (Nine Techniques)\n\u003cul\u003e\n\u003cli\u003eFirst: Hissho\u003c\/li\u003e\n\u003cli\u003eSecond: Gyakufu\u003c\/li\u003e\n\u003cli\u003eThird: Jutachi\u003c\/li\u003e\n\u003cli\u003eFourth: Wako\u003c\/li\u003e\n\u003cli\u003eFifth: Shojin\u003c\/li\u003e\n\u003cli\u003eSixth: Kozume\u003c\/li\u003e\n\u003cli\u003eSeventh: Oizume\u003c\/li\u003e\n\u003cli\u003eEighth: Yae Kaki\u003c\/li\u003e\n\u003cli\u003eNinth: Murakumo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGaiden (Outer Transmission) - Competitive Techniques\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSoreito - Hachi Sei (Eight Techniques)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Gouda\u003c\/li\u003e\n\u003cli\u003eSecond: Shichiraito - Jun\u003c\/li\u003e\n\u003cli\u003eThird: Shichiraito - Gyaku\u003c\/li\u003e\n\u003cli\u003eFourth: Senyokuto - Gyaku - Soko Kaeshi\u003c\/li\u003e\n\u003cli\u003eFifth: Senyokuto - Jun - Soko Kaeshi\u003c\/li\u003e\n\u003cli\u003eSixth: Ega Sei\u003c\/li\u003e\n\u003cli\u003eSeventh: Suisha Sei - Jun - Soko Kaeshi\u003c\/li\u003e\n\u003cli\u003eEighth: Suisha Sei - Sendau\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChu Dan - Jushi Sei (Fourteen Techniques)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Hite Choku Sei\u003c\/li\u003e\n\u003cli\u003eSecond: Joko Sei - Jun - Kanatou Kakeru\u003c\/li\u003e\n\u003cli\u003eThird: Joko Sei - Kansui\u003c\/li\u003e\n\u003cli\u003eFourth: Joko Sei - Kanken - Tome\u003c\/li\u003e\n\u003cli\u003eFifth: Joko Sei - Gyaku - Tenshin\u003c\/li\u003e\n\u003cli\u003eSixth: Joko Sei - Jun - Chakuda\u003c\/li\u003e\n\u003cli\u003eSeventh: Joko Sei - Jun - Kanameashi\u003c\/li\u003e\n\u003cli\u003eEighth: Joko Sei - Gyaku - Hite Teashi\u003c\/li\u003e\n\u003cli\u003eNinth: Joko Sei - Jun - Chakubat\u003c\/li\u003e\n\u003cli\u003eTenth: Joko Sei - Gyaku - Uketori\u003c\/li\u003e\n\u003cli\u003eEleventh: Joko Sei - Jun - Gyaku Teoshi\u003c\/li\u003e\n\u003cli\u003eTwelfth: Joko Sei - Gyaku - Gyaku Teoshi\u003c\/li\u003e\n\u003cli\u003eThirteenth: Joko Sei - Jun - Hanmi Haku\u003c\/li\u003e\n\u003cli\u003eFourteenth: Joko Sei - Gyaku - Hanmi Haku\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVolume 2:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNaiden (Inner Transmission)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSangaku En-no-Tachi (Techniques from Below)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Ichito Ryodan\u003c\/li\u003e\n\u003cli\u003eSecond: Zancho Setsu Tettsu\u003c\/li\u003e\n\u003cli\u003eThird: Hankai Hanmuku\u003c\/li\u003e\n\u003cli\u003eFourth: Usen Sasen\u003c\/li\u003e\n\u003cli\u003eFifth: Chodan Ichimi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eKuga-no-Tachi (Nine Techniques from Below)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Hissho\u003c\/li\u003e\n\u003cli\u003eSecond: Gyakufu\u003c\/li\u003e\n\u003cli\u003eThird: Jutachi\u003c\/li\u003e\n\u003cli\u003eFourth: Wako\u003c\/li\u003e\n\u003cli\u003eFifth: Shojin\u003c\/li\u003e\n\u003cli\u003eSixth: Kozume\u003c\/li\u003e\n\u003cli\u003eSeventh: Oizume\u003c\/li\u003e\n\u003cli\u003eEighth: Yae Kaki\u003c\/li\u003e\n\u003cli\u003eNinth: Murakumo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEnpi Roku Ka-no-Tachi (Six Techniques of Enpi)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Enpi\u003c\/li\u003e\n\u003cli\u003eSecond: Sarumawashi\u003c\/li\u003e\n\u003cli\u003eThird: Sanyin\u003c\/li\u003e\n\u003cli\u003eFourth: Tsukikage\u003c\/li\u003e\n\u003cli\u003eFifth: Urahawa\u003c\/li\u003e\n\u003cli\u003eSixth: Ukifune\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGaiden (Outer Transmission) - Competitive Techniques\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSoreito - Hachi Sei (Techniques from Below)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Gouda\u003c\/li\u003e\n\u003cli\u003eSecond: Shichiraito - Jun\u003c\/li\u003e\n\u003cli\u003eThird: Shichiraito - Gyaku\u003c\/li\u003e\n\u003cli\u003eFourth: Senyokuto - Gyaku - Soko Kaeshi\u003c\/li\u003e\n\u003cli\u003eFifth: Senyokuto - Jun - Soko Kaeshi\u003c\/li\u003e\n\u003cli\u003eSixth: Ega Sei\u003c\/li\u003e\n\u003cli\u003eSeventh: Suisha Sei - Jun - Soko Kaeshi\u003c\/li\u003e\n\u003cli\u003eEighth: Suisha Sei - Sendau\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChu Dan - Hachi Sei (Eight Techniques from Below)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Soka - Jun\u003c\/li\u003e\n\u003cli\u003eSecond: Soka - Gyaku\u003c\/li\u003e\n\u003cli\u003eThird: Nyushin - Jun\u003c\/li\u003e\n\u003cli\u003eFourth: Nyushin - Gyaku\u003c\/li\u003e\n\u003cli\u003eFifth: Kansokute - Jun\u003c\/li\u003e\n\u003cli\u003eSixth: Kansokute - Gyaku\u003c\/li\u003e\n\u003cli\u003eSeventh: Kansokute - Soka\u003c\/li\u003e\n\u003cli\u003eEighth: Kansokute - Nyushin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eZoku Raito (Continued Lightning) - Ju Hachi Sei - Shichi Sei Ho (Eighteen Techniques in Seven Methods)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Raito - Kojokaku - Jun\u003c\/li\u003e\n\u003cli\u003eSecond: Raito - Kojokaku - Gyaku\u003c\/li\u003e\n\u003cli\u003eThird: Raito - Daashu\u003c\/li\u003e\n\u003cli\u003eFourth: Raito - Dage - Jun\u003c\/li\u003e\n\u003cli\u003eFifth: Raito - Dage - Gyaku\u003c\/li\u003e\n\u003cli\u003eSixth: Raito - Dagen - Nyushin - Jun\u003c\/li\u003e\n\u003cli\u003eSeventh: Raito - Dagen - Nyushin - Gyaku\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eZoku Raito (Continued Lightning) - Ju Hachi Sei - Hachi Sei Ho (Eight Techniques in Eight Methods)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Raito - Saimo - Gyaku\u003c\/li\u003e\n\u003cli\u003eSecond: Raito - Saimo - Jun\u003c\/li\u003e\n\u003cli\u003eThird: Raito - Saisu - Gyaku\u003c\/li\u003e\n\u003cli\u003eFourth: Raito - Saisu - Jun\u003c\/li\u003e\n\u003cli\u003eFifth: Raito - Sai Raito - Jun\u003c\/li\u003e\n\u003cli\u003eSixth: Raito - Sai Raito - Gyaku\u003c\/li\u003e\n\u003cli\u003eSeventh: Raito - Sai Raito - Saida\u003c\/li\u003e\n\u003cli\u003eEighth: Raito - Sai Raito - Nyushin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSho Tenhen (Small Transformation) - Ju San Sei - Gaidan Hen - Shichi Sei (Thirteen Techniques in Seven Steps)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst: Gedan Hen\u003c\/li\u003e\n\u003cli\u003eSecond: Goiri\u003c\/li\u003e\n\u003cli\u003eThird: Hanto\u003c\/li\u003e\n\u003cli\u003eFourth: Hanpuku\u003c\/li\u003e\n\u003cli\u003eFifth: Hanpuku - Riu\u003c\/li\u003e\n\u003cli\u003eSixth: Hishu\u003c\/li\u003e\n\u003cli\u003eSeventh: Hanmi Haku\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSho Tenhen (Small Transformation) - 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Considered to be one of the most basic styles for guard passing in Brazilian Jiu Jitsu, the stack pass is the foundation for all pressure passing systems. Modern passing styles such as leg-drag, long-step or floating passes rely heavily on speed and athleticism, but the stack pass relies on position and patience. In this instructional, Paul Schreiner focuses on the micro\/macro movements, position, and grips that will make you an effective pressure guard passer, without having to drill repetitive hours on a pass that might work.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bold underline\"\u003eTECHNIQUES LIST\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrecise Pressure Passing Vol 2: Introduction\u003c\/li\u003e\n\u003cli\u003eOpening Closed Guard| Structure, Posture, Hip Control\u003c\/li\u003e\n\u003cli\u003eOpening Closed Guard| Structure, Posture, Arm Control\u003c\/li\u003e\n\u003cli\u003eBasic Stack Pass\u003c\/li\u003e\n\u003cli\u003eBasic Stack Pass | Maintaining Pressure\u003c\/li\u003e\n\u003cli\u003eBasic Stack Pass | Completing The Pass\u003c\/li\u003e\n\u003cli\u003eCompleting The Pass | Shaking Past The Arm Post\u003c\/li\u003e\n\u003cli\u003eCompleting The Pass | Pinning The Arm Post\u003c\/li\u003e\n\u003cli\u003eGrip Control Concepts\u003c\/li\u003e\n\u003cli\u003eTriangle Prevention | Palm Up Grip\u003c\/li\u003e\n\u003cli\u003eCross Body Grip Switch Hip Block\u003c\/li\u003e\n\u003cli\u003eDouble Stack | Two Knees Down | Grips \u0026amp; Control\u003c\/li\u003e\n\u003cli\u003eDouble Stack | Crucifix | Back Take\u003c\/li\u003e\n\u003cli\u003eDouble Stack | Heavy Legs | Over Under Pass\u003c\/li\u003e\n\u003cli\u003eOver Under Position | Pressurized Half Guard Pass\u003c\/li\u003e\n\u003cli\u003eOver Under Position | Half Stack Pass\u003c\/li\u003e\n\u003cli\u003eOver Under Position | Gripping Variation | BJ Penn Pass\u003c\/li\u003e\n\u003cli\u003eBJ Penn Pass | Forcing the Back Position\u003c\/li\u003e\n\u003cli\u003eTrouble Shooting Double Under Defenses\u003c\/li\u003e\n\u003cli\u003eDissecting the DLR | Pressurized Windshield Wiper Pass\u003c\/li\u003e\n\u003cli\u003eDissecting the DLR | Double Stack Vs. 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Imitated by many, yet \u003cyellow\u003ereplicated by none,\u003c\/yellow\u003e the original creator of The Worm Guard is coming in HOT with over \u003cyellow\u003e40 Techniques\u003c\/yellow\u003e building a Complete Wormguard Play-Style. The understanding - and successful execution - lies not within the single idea of “The Worm,” but the exquisite \u003cyellow\u003einterconnected\/extended applications\u003c\/yellow\u003e of The Worm into any grappling style. Working for tall, or short, weak or strong, The Worm Guard adapts and \u003cyellow\u003eEVOLVES\u003c\/yellow\u003e with your game to merge and become, not an altered synthetic method, but an organic extension of ones already existing skill set and techniques. Undeniably, Worm Guard is \u003cyellow\u003eirrefutable.\u003c\/yellow\u003e Even when used alone and mastered as a single guard playing system, the results are \u003cyellow\u003eundeniable! You’ve seen it -\u003c\/yellow\u003e sweeping people that were once thought unsweepable and holding even the most persistent and skilled of guard passers at bay!\u003c\/p\u003e\n\u003cp\u003eFor the first time ever, Keenan Cornelius is teaching his unique system of The Worm Guard and how to use it deftly as a \u003cyellow\u003esurgeon wields a scalpel.\u003c\/yellow\u003e Be a part of what is fastly becoming the new and innovative \u003cyellow\u003eAmerican Jiu Jitsu\u003c\/yellow\u003e and learn all there is to know about set-ups, controls, transitions, submissions and sweeps from this innovative competitor and his revolutionary guard. 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autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Japanese\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e 62 min.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eizt2d\u003c\/p\u003e","brand":"BAB","offers":[{"title":"Default Title","offer_id":43744017383623,"sku":"02599","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0506\/2521\/files\/OnoHaIttoRyuKenjutsuVol2DVDbyToruIshizaki.jpg?v=1707795458"},{"product_id":"missoku-traditional-japanese-breathing-technique-dvd-by-asakazu-nakamura","title":"Missoku: Traditional Japanese Breathing Technique DVD by Asakazu Nakamura","description":"\u003cp\u003eHelps improve performance in martial arts and sports!\u003c\/p\u003e\n\u003cp\u003eChange your breathing before you train!\u003cbr data-mce-fragment=\"1\"\u003eThe reason why the world-famous shakuhachi player continues to be active is hidden in ancient Japanese culture!\u003c\/p\u003e\n\u003cp\u003e\"Japanese culture as a whole...music, martial arts, and Zen were created through the ancient Japanese breathing technique known as misoku. 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